Performers seem to be taking up residency in Las Vegas at an increasing rate. Hard Rock Hotel has been hosting performers for extended concert series for a few years now, and Celine Dion, Bette Midler, Cher, Elton John and Shania Twain have all called the Colosseum at Caesars Palace — and Las Vegas — home for at least a short period of time. At Wynn and Encore, Garth Brooks, Tim McGraw and Faith Hill continue to draw sold-out crowds.

So when CeeLo Green moved into town for his new show called CeeLo Green is Loberace a few weeks ago, I was instantly intrigued by yet another Las Vegas resident. This past weekend, I had the chance to see his performance for myself, and I instantly found myself pulled in multiple directions about how I felt about the show.

First, a description of the show from Planet Hollywood’s website:

CeeLo Green, the conductor/ringmaster of “LOBERACE,” will take fans on a ride through colorful decades of music, stopping at legendary moments in time from Prince and Blue Magic to The Rolling Stones, from new wave to disco and beyond.

Visually, the production will combine CeeLo Green’s flamboyant sense of style and over-the-top creativity, magnified and intensified, with his soulful voice covering some of his favorite music, as well as original songs, in a just for Las Vegas show.

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Five days before I drove an exotic supercar, I was nonchalant about driving a fast car. Five hours before I drove an exotic supercar, I was kicking myself for agreeing to do something so early on a Saturday morning. Five minutes before I drove an exotic supercar, I was downright nervous.

Come again? I’m going to be driving how fast? You have got to be kidding me!

Driving a really, really fast car around a racetrack must be a guy thing. There were five of us in our group — three girls and two guys — and the adrenaline factor was definitely running high in the male species. They talked about horsepower and engine size and other manly things that meant nothing to me. I hung back with the other two ladies, shocked at the price tag on the blue Audi R8 V10 that I’d been assigned to drive. This sleek little supercar was on par with what we paid for our house. No joke. And it could reach speeds upward of 186 MPH. Again, no joke. You can’t make this stuff up.

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If it’s not on the Las Vegas Strip, most people don’t believe it exists in Sin City.

So is the case with the Pinball Hall of Fame, home to hundreds of vintage and new pinball machines spread over 10,000 square feet of space. That’s right: Hundreds of pinball machines, all of which are way more fun to play than any slot machine you might possibly find in the city (in my humble opinion).

The Pinball Hall of Fame is made possible by the Las Vegas Pinball Collectors Club, which has amassed several machines over the years. The goal of the attraction is to house, display and make available to the public this large selection of games so that everyone can enjoy them. The games all belong to one member of the non-profit organization, Tim Arnold, so I’m sure you can imagine the need to find a home for these beyond his basement. They range from vintage additions of pinball games from the 1950s up through the present day.

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There are a myriad of Las Vegas shows, and if you want to see one, just take your pick. From comedy and acrobatics to full-blown stage shows and family-friendly favorites, I’ve seen a bunch of them. This past week I had a chance to see Fantasy for the first time, which is the fifth topless revue I’ve been to in Las Vegas and definitely one of the best ones I’ve seen.

Now entering its 13th year, Fantasy features eight dancers each night as well as a fabulous emcee/singer named Lorena Peril and comedic relief Sean E. Cooper. The show moves quickly through 15 dance numbers that have the potential to evoke the ideal “fantasy” involving beautiful topless women. They’re outfitted in cowboy gear and rough-and-tough leather, and of course there is an obligatory bedroom scene. Some numbers involve a single woman, such as the one that evokes Jessica Rabbit, and others include the full cast. One number features a talented pole dancer and another involves the classic scarf acrobatics that are common in variety shows across Las Vegas.

Between these numbers, Lorena and Sean easily interact with the audience through comedy, conversation and other elements of performance. We found ourselves laughing throughout the show at Lorena and Sean’s antics, and the girls were talented dancers (though I could have done without the lip syncing). One of the best parts of the show, I thought, was how tastefully the topless components were choreographed. For some reason, other topless shows seem to have this feeling where suddenly there is a need to take clothes off just for the heck of it, but the transformation from covered to unclothed is practically seamless and not at all in your face in Fantasy, which I appreciate. Also, a few other burlesque shows on the Strip have the tendency to feel awkward when the energy lags, but Fantasy powers through with energy from the beginning to the end and there are no slow or awkward moments. In fact, the show kept a consistent and constant pace, and I was surprised at how quickly the time went by.

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